Daisy Edgar-Jones, Jacob Elordi lead a ‘reimagining of the American want’

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Daisy Edgar-Jones, Jacob Elordi, Will Poulter, Diego Calva and Sasha Calle had been performed in Toronto for the perfect of On Swift Horses on the Toronto International Film Festival (TIFF). Directed by Daniel Minahan, based mostly upon the distinctive by Shannon Pufahl, the film brings us to the Nineteen Fifties for a story that Minahan referred to as a “reimagining of the American dream.”

On Swift Horses begins in what seems like a flawlessly aspiration middle-class life. Muriel (Edgar-Jones) and Lee (Poulter) are readied to start their lives with one another in California, with methods to start a relations.

When Lee’s sibling Julius (Elordi) return to the united state from the Korean War, it’s clear that Julius and Muriel share a hyperlink, a secret their avoiding the outside.

“We have this paradigm set up in the film. One is Muriel is pursuing this very conventional relationship with her husband Lee, and Julius is living on the road, literally, this kind of freewheeling gambling. They’re both aspirational stories,” Minahan knowledgeableYahoo Canada “The idea of buying a house as a young couple in a housing development and creating community and buying a car is very American, and it’s very aspirational. The idea of going to Las Vegas and gambling and winning a ton of money, and overnight becoming a rich person is also.”

“Add to it that they’re both outsiders, … they’re both hiding. And I think you get to the truth of what it is, which is that I think even people who are living that life, living the dream so to speak, still feel like outsiders. These characters truly are because they’re queer in a time when homosexuality is criminalized. … But I think everyone can relate to the idea of having to hide yourself and your real feelings, and your real desires. … That’s why I do describe it as a reimagining of the American dream.”

TORONTO, ONTARIO - SEPTEMBER 07: (L-R) Bryce Kass, Jacob Elordi, Sasha Calle, Diego Calva, Daisy Edgar-Jones, Daniel Minahan, Kat Cunning, Will Poulter and Luc Montpellier attend the premiere of TORONTO, ONTARIO - SEPTEMBER 07: (L-R) Bryce Kass, Jacob Elordi, Sasha Calle, Diego Calva, Daisy Edgar-Jones, Daniel Minahan, Kat Cunning, Will Poulter and Luc Montpellier attend the premiere of

Minahan “fell in love” with Pufahl publication when he learn it, and was particularly vacationer attraction to the “unspoken alliance” within the story in between Muriel and Julius.

“Muriel and Julius meet, recognize each other, have this intense attraction and change the course of each other’s lives,” Minahan claimed. “I thought that was really beautiful. I hadn’t seen that before.”

“They spend three-quarters of the film apart, but have this huge influence on each other. I thought that was so beautiful and no one ever really talks about those kinds of alliances that form. … I was talking to Shannon Pufahl … about this, and I was like, it’s so interesting that homosexuality is criminalized at this time, but these people managed to find each other and make these incredible lives together.”

TORONTO, ONTARIO - SEPTEMBER 07: (L-R) Jacob Elordi and Daisy Edgar-Jones attend the premiere of TORONTO, ONTARIO - SEPTEMBER 07: (L-R) Jacob Elordi and Daisy Edgar-Jones attend the premiere of

TORONTO, ONTARIO – SEPTEMBER 07: (L-R) Jacob Elordi and Daisy Edgar-Jones go to the perfect of “On Swift Horses” all through the 2024 Toronto International Film Festival at Princess of Wales Theatre on September 07, 2024 in Toronto,Ontario (Photo by Robin Marchant/Getty Images)

Assisting in bringing On Swift Horses to the show is prize-winning Canadian cinematographer Luc Montpellier, together with a real aesthetic splendor to the story we see unravel.

“In the beginning he said, ‘What films should we look at together?’ And I said, how about instead of looking at films, if we look at documentary, photography from the period,” Minahan shared.

“I didn’t want to feel like we were imitating a period film. I wanted this to be very accessible. So we watched some documentary stuff from the period, Gordon Parks the photographer, Bruce Davidson the photographer, paintings of John Koch. Each very unique. I think that kind of informed what we were doing. Then we just used our instincts on set to decide how things would look.”

In regards to coping with the celebs within the movie, all through a two-week period previous to they started taking pictures, they workshopped varied minute from the story and did factors like came upon Nineteen Fifties dancings, which Minahan highlighted really “bonded” the actors.

“Daisy, in particular, asked, ‘What would she be reading?’ … So I sent her two books,” Minahan shared.

“Interestingly, in the year that our film is set, the two top books are ‘Peyton Place,’ which was a real kind of steamy exposé of a small town in America where people are having affairs and there’s an abusive husband, and then someone has an abortion. It was a very controversial novel. … Then the other book was ‘On the Road’, the Kerouac book. And that’s so interesting to me.”

Overall, the celebs in On Swift Horses successfully lean proper into this expedition of everybody’s wants and needs, on this sweeping love that stands for varied kinds of love.



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